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穆──之後｜劉政融 個展

After Reverence｜Liu Zheng Rong Solo Exhibition

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▎Date : 2026/8/8 - 2026/10/9

▎Venue : Linger 流連忘返

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▎Exhibition Overview

「穆」形容成熟的稻穗穀實飽滿、低垂成熟的姿態，逐漸延伸出靜謐、莊嚴等意涵。

展覽以「穆」作為觀看世界的方法，透過神聖圖像與科技符號的交融，重新思考神聖在當代文明中的存在方式。

"Mu" describes the posture of mature rice stalks with full grains drooping with ripeness, gradually evolving to carry meanings such as stillness and solemnity. The exhibition employs "Mu" as a perspective for observing the world, rethinking the existence of the sacred in contemporary civilization through the convergence of sacred iconography and technological symbols.

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▎Artist

劉政融 Liu Zheng Rong

其作品主要以油彩、金箔與複合媒材呈現，創作關注神聖性在人類文明中的轉化與再建構，透過宗教聖像、電路板、黑洞、人工智慧等異質符號的交織，探討科技時代中信仰、身體與精神的全新關係。

His work is primarily presented through oil paint, gold leaf, and mixed media. His practice focuses on the transformation and reconstruction of the sacred in human civilization, weaving heterogeneous symbols—such as religious icons, circuit boards, black holes, and artificial intelligence—to explore the new relationships among faith, body, and spirit in the technological age.

作品介紹

Dreamcore Realm 夢核之境
Mineral pigments, acrylic, and oil pastels on canvas
91 x 116.5 cm
Right : Under UV light

在現實與虛無之間穿梭，風景快速褪去，漸漸開始分不清什麼才是真實的。

當世界變得模糊時，光成為了唯一的指引，依循著光的方向探尋，光在黑暗中蔓延成碎片，感知開始放鬆，隨著飄移的光點漂浮，旅程繼續 —

Moving between reality and the unknown, the landscape slowly fades and its boundaries begin to dissolve.

When the world becomes unclear, light becomes the only guide.

Following its direction, fragments of light begin to scatter across the darkness — distant headlights, fading traces, and drifting points of brightness. Trees, roads, and sky gradually lose their form as perception begins to loosen and time seems to stretch.

In this state between wakefulness and dream, the body continues forward while the mind drifts with the floating lights.

The journey continues.

Unconscious Mind 潛意識
Acrylic on canvas
30 x 40 cm

Dream Within a Dream 意識漫遊
Acrylic on Paper
33 x 44 cm

Satir’s Iceberg Theory unfolds,

Guiding us where the deep sea rolls,

Diving into the mind’s unknown,

A treasure buried, yet our own.

Each journey within reveals anew,

A self with shifting shades in view.

Emotions no longer just joy or despair,

But restless, tender, burdened, aware.

Dreams are more than fleeting scenes,

Symbols whisper in the in-between.

To meet oneself, to deeply connect,

Is to reclaim what time forgets.

Releasing wounds long left confined,

Gently bidding the past behind.

In balance, peace will find its place,

Making room for growth and grace.

在現實與虛幻的縫隙間穿梭，
每扇門都是心靈的入口，
記憶碎片灑落，輕觸即墜落，
我們在潛意識裡探索，
在清醒與沉睡的邊界，盡情造夢。

Drifting through the seams of real and unreal,

Each door—a passage the soul can feel.

Scattered memories, a fragile glow,

One touch, and they let go.

We wander where the mind runs deep,

At the edge of wake and sleep.

Between the echoes of light and gloom,

Freely, we weave and bloom.

薩提爾的《冰山理論》，

指引我們潛入內心深處，

探索那片未知的海域。

對我而言，潛意識像一座寶藏，

每一次探尋，都能遇見不同面向的自己。

情緒不再只是簡單的喜怒哀樂，

還細分到自在、慌張、委屈、自責等差異，

夢境也不單只是影像與劇情，

而是充滿象徵性的符號與暗喻。

與自己對接並深刻連結，

是一趟重新找回自我的旅程，

釋放壓抑的情緒，

溫柔的告別過去，

在平衡之中找回平靜，

再騰出新的空間，

擁抱蛻變嶄新的自己。

Insecurity 不安全感 01
Acrylic on Canvas
30 x 30 cm

用離經叛道，

塗滿一身傷疤，

盛開的花蕊，

積䨟一池淚水。

Torn from rigid bounds,

Scars bloom like ground,

Tears pooled beneath—

Defiance breathes.

Insecurity 不安全感 02
Acrylic on Canvas
30 x 30 cm

害怕孤寂，

因此妝點樣貌，

等待著誰，

一起虛度光陰。

Fearing solitude,

I adorn my facade,

Waiting for someone—

To waste time together.

Insecurity 不安全感 06
Acrylic on Canvas
30 x 30 cm

在孤島上載浮載沉，

恣意的讓疼痛蔓延，

消融虛張聲勢的靜謐，

放縱流涕。

Adrift on this lonely isle,

Letting pain spread at will,

Dissolving false serenity's guise—

Surrendering to tears unbound.

Insecurity 不安全感 07
Acrylic on Canvas
30 x 30 cm

情緒氤氳，
共享親密的暴力，
在邊界之外，
渴望著愛。

Emotions rise like steam,

Sharing intimate violence,

Beyond the bounds of pain—

Desperately craving love.

Insecurity 不安全感 08
Acrylic on Canvas
30 x 30 cm

褪去所有稜角，
討好的美好假象，
把所有情緒深藏，
某一部份的自己，

埋葬。

Shedding calcified walls,

A fragile plea unfurls,

Emotions sinking beneath,

A self—half-remembered,

Dissolved.

A quiet experiment 實驗系列II
Mineral pigments and acrylic on canvas
25 x 25 cm

光，與內在之海相遇的實驗 II。

A quiet experiment II — where light meets the ocean within.

A quiet experiment 實驗系列IV
Mineral pigments and acrylic on canvas
25 x 25 cm

光，與內在之海相遇的實驗 IV。

A quiet experiment IV — where light meets the ocean within.

A quiet experiment 實驗系列V
Mineral pigments and acrylic on acrylic panel
32 x 22 cm

光，與內在之海相遇的實驗 V。

A quiet experiment V — where light meets the ocean within.

A quiet experiment 實驗系列VI
Mineral pigments and acrylic on acrylic panel
97.5 x 95 cm
( 3 pieces : 32.5 x 95 cm / each )

光，與內在之海相遇的實驗 VI。

A quiet experiment VI — where light meets the ocean within.

A quiet experiment 實驗系列X
Mineral pigments and acrylic on acrylic panel
25 x 25 cm

光，與內在之海相遇的實驗 X。

A quiet experiment X — where light meets the ocean within.

A quiet experiment 實驗系列XII
Mineral pigments and acrylic on aluminum alloy panel
40 x 50 cm

光，與內在之海相遇的實驗 XII。

A quiet experiment XII — where light meets the ocean within.

A quiet experiment 實驗系列XIV
Mineral pigments and acrylic on acrylic panel
32 x 94 cm

光，與內在之海相遇的實驗 XIV。

A quiet experiment XIV — where light meets the ocean within.

A quiet experiment 實驗系列XV
Mineral pigments and acrylic on acrylic panel
32 x 22 cm

光，與內在之海相遇的實驗 XV。

A quiet experiment XV — where light meets the ocean within.

A quiet experiment 實驗系列XVI
Mineral pigments and acrylic on acrylic panel
32 x 94 cm

光，與內在之海相遇的實驗 XVI。

A quiet experiment XVI — where light meets the ocean within.

A quiet experiment 實驗系列XVIII
Mineral pigments and acrylic on acrylic panel
100 x 30 cm

光，與內在之海相遇的實驗 XVIII。

A quiet experiment XVIII — where light meets the ocean within.

A quiet experiment 實驗系列XX
Mineral pigments and acrylic on acrylic panel
32 x 94 cm

光，與內在之海相遇的實驗 XX。

A quiet experiment XX — where light meets the ocean within.

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